Zach Cregger weighs in on PlayStation ending physical games
When a massive film adaptation like Resident Evil hits the big screen, the conversation inevitably shifts to format. Should we be clinging to physical discs, or have we fully surrendered to the convenience of digital downloads? For many in the gaming and film world, this debate feels less like a logistical choice and more like a philosophical stand.
Director Zach Cregger, currently gearing up for the release of his new project, weighed in on the long-standing media standoff, revealing a preference that surprised some observers. Far from being a staunch advocate for physical media, Cregger admitted he views the obsession with physical ownership as a source of unnecessary stress.
“I’m not a physical media guy,” Cregger explained. His reasoning is rooted in personal experience: he tends to lose and damage physical items easily. For him, the peace of mind derived from accessibility trumps the ritual of collecting media.
This perspective leads him to embrace the digital realm. When it comes to video games, the ease of downloading offers an undeniable advantage. “I tend to lose and break stuff,” he noted, suggesting that having content always accessible—no matter the format—is the ultimate goal.
Of course, the digital convenience comes with its own set of arguments. Critics often point out that paying for a game implies a sense of ownership, and the ability to simply delete a file challenges that notion. Cregger acknowledged this counterargument, admitting that the idea of paying for something that can be instantly erased is unsatisfactory.
Ultimately, Cregger’s focus remains squarely on the creative work itself. He is less concerned with the format of his media and more focused on the execution of his vision. The format is secondary to the content.
While the debate over physical versus digital is certainly heated among fans, the true excitement remains in the quality of the final product. With Resident Evil hitting theaters this week, attention is rightly focused on Cregger’s creative direction and the thrilling experience waiting for audiences.
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